Piranesi by Susanna Clarke, and I hated it.
It takes a very cool premise, then fills it with incongruences and predictable twists that you understand chapters ahead of the protagonist. Then it all ends up being (SPOILERS AHEAD) a “humans used to literally talk to nature, modern society bad” mumbojumbo with some kind of unexplained multiverse in it.
What’s the best thing that can happen to a singer?
Having a name that sounds good
Thanks for the suggestion!
Since you look much more knowledgeable than me, could you help me understand how to navigate the overwhelming amount of different versions for every piece of music? For now I’m completely ignoring who’s playing and conducting and sometimes I timidly try to listen to another version, usually just to come back to the comfort of the first version I listened
I recently started listening to classical and boy does it require a completely different listening approach! I’m listening almost exclusively to Mahler’s No.5 since my attention fades away after the first movement and I need lots of listening to know what’s actually going on
It’s an old (early-internet?) joke iirc. And yes, I think that’s the answer