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Cake day: July 19th, 2023

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  • I’m often reminded of a SpaceX render they put up on the 'Tube back when they were still working out the reusability thing. Commenters had a lot of questions about how the particular flight plan impacted on their fuel budget. And so, Elon himself waded in with the answers. Except he was talking about the dollar price it cost to buy the fuel. He was like ‘why are you worried about fuel, it’s not that expensive, guys’ because he didn’t understand the questions. He didn’t understand why the amount of fuel and the mass of the fuel would be significant to anybody. Guys, I think he doesn’t understand the rocket equation. He doesn’t understand the central problem of rocketry. I think the guy might be full of it.






  • octoperson@sh.itjust.workstoMildly Infuriating@lemmy.worldThis Captcha
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    9 months ago

    Most pictures lack snow. You’d expect the interior of a room to lack snow. Lack of snow alone does not communicate anything unless it’s in a context where you’d normally expect there to be snow.

    If I was a visual designer, and I was tasked with providing a picture to represent warmth, I might choose, I don’t know; hands in mittens clutching steaming mugs of cocoa, a cat snoozing in front of a roaring fire, or what else? Welcoming light shining from the windows of a house in a snowy landscape! If I submitted a nondescript photo off of a real estate listing, and said “look bro! No snow”, I’d be looking for a new job.


  • Only number 3 conveys the concept of warmth to me. A wintry scene contrasted with orange tinged light visible through house windows is a classic trope to evoke warmth and cosiness. The interiors are undoubtedly a physically higher temperature at the location of the photographer, but that is not being communicated visually by the picture.

    What “of one type” means, I have no clue.





  • Almost at the top of the rope. You won’t have long before a patrol spots you, but long enough to snap a picture and get out. You swing your legs over and look around.

    The top of the wall exends into the morning haze in both directions. The view to the other side is blocked by a jumble of small huts, chimneys, floodlights; each one emblazoned with the logo of the Ohio Containment Corp - the block capitals OHIO enclosed in a möebus band. You pick your way through until you see what you came here for.

    Disappointment. It’s just the same scrubland, dusty tracks and fields that you drove through to get here. Maybe there’s some settlements way off in the distance? It’s hard to see. Oh well. What did you expect? The whole secret laid bare on your very first view? You snap a picture, and step forward for a better look.

    What was that? You heard something! Is there someone else here? You dart back and crouch, out of sight you hope, and try to listen. If there was a guard they would surely have raised the alarm. You creep forward, quietly as you can, then … shit! You see its shadow. Human shaped, crouched, moving slowly, stalking you.

    You’ve gotta go. Where’s the rope? You must have got turned around in the confusion but you find it. Swing over and back down. Hand over hand as fast as you dare. Your buddy Flip is still at the bottom where he parked the car.
    “Whoa, slow down. You’ll break your neck”
    “Flip, we gotta go”
    “Did you get the photo?”
    “Yeah, but -”
    He grins and raises his palm. You fumble the hi-five.
    “Flip, someone saw me. We gotta go”
    He looks up at the wall, sceptical, but nods. “Hey, are you driving?” He motions you towards the other door. You stumble around and climb in. What is wrong? Something is, you know it.
    “Wow, you’re really flustered about something. You’ll feel better with some breakfast.” He hands you a candy bar. You take a bite. It tastes … not bad, but different. It’s some knock-off Snickers bar with its label in a foreign alphabet. Flip starts the car and pulls out left, past the Containment Corp sign. You notice a misprint on the logo - it says OIHO.
    “Flip, I don’t think this is the way back”
    “Sure it is - it’s the same way we came here. You’re really in a state. What happened to you up there?”

    You don’t know. You try to think. You try to reflect.